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Image by Xuan Nguyen

"Decomposing" and other work by LindaAnn LoSchiavo

Decomposing

Stealth is my friend once again.  Unnoticed at lock-up time, I’m lingering among crosses set in even rows.  The gridlock of grim.  Typical visitor hours are too hectic, rife with bald human moments― slumping shoulders mantled in misery.  All the ways bereavement can scaffold joy.  A boneyard devoid of human sounds is preferable.   Aware of the final, fading pulses of light, I apostrophe myself into the dark and begin.  Crunching frost-crisped leaves underfoot produces a dry crackle like ghosts coughing.   I approach one particular monument arrayed in its upright finery of euphemisms, letters loud with an insistence to be, unscrew a clear solution, and begin my work.   Decomposing, I become contradiction’s champion.   Shedding an edge of slate, erasing a name, obliterating the expected encomiums.   Erasure pounces as acid withers the words a line at a time, returning the stone to its gall of quiet lovelessness.   In life, he quietly murdered his first wife, dropped my sister’s corpse from his private plane like earth’s least precious stone, then kept his crimes buried by decorating his life with diplomas and philanthropy.  Her remains were never found, never graced a morgue slab nor satin-lined coffin.   But tonight I feel her spirit humming, numinous as a melody from warped violins.

 

                                               cemetery duty
                                               stiffness in my knees
                                               dissipating fog

Death Dominos

Death in Venice! Death on the Nile!
 

When death comes for the archbishop,
it will look like a masque of red death,
long Covid disguised as sweetness,
red velvet cake, pretty poison.

Fates worse than death can be redeemed
by life after death. Cause of death
happened when death turns the tables.

 

 

Sometimes death takes a holiday.

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